On camera makeup fun!
Thank you to all the lovely ladies who attended the class last night. Knowing the basics for successfully applying your makeup in this HD business is a key part to creating your image and looking your best!Eye makeup smudges under the eye
A common frustration I hear a lot from the women in my chair is the mascara, liner or eye shadow smudging under their eye. Even the waterproof stuff still bleeds under the eye ending the day looking like a racoon.Why does this happen??
There are a couple of reasons. First depends on your product choices.
If you have oily skin then powdered eye shadow, wet to dry pot waterproof eyeliner pots (pencils can have too much moisture) and then waterproof mascara.
A genetic issue is how deep your eyes are set and how much natural friction their is against the skin.
Do you touch your face or eyes during the day out of habit?
My solution, besides the use of dry powder and waterproof products, is making sure you put your finishing powered all the way up into your lower lash line. Be generous and fearless when putting it close to your eye. This helps immensely with smudging by preventing your skins oil from coming into contact with the makeup.
As oily skin people know well, touching up powder throughout the day is a necessity. People with eye smudge issues also need to powder under the eye if the notice it wearing off.
Hope this helps!
Makeup for On Camera Class!!
MAKEUP FOR CAMERAMakeup Skills for On-Camera Pros
For: Professional on-camera talent; actors, models, spokespersons
When: Thursday Dec 8th 2011 at 7pm Where: Limelight Studio St. Charles
Fee: $40 cash or check
Must sign up via email or phone:
Tamara@LTphoto.us or 636-578-1874 Directions: www.limelightstudio.us
What does it mean to come “camera-ready”? Are there good vs.bad makeup products for the camera? Does your everyday makeup work for on-camera? How did digital or High-def change the industry’s makeup application? Professional makeup artist and veteran on-camera talent Tamara Tungate reviews the variety of makeup applications usually needed for professional talent and the best makeup approaches for different media (camera, video/film, live performance) and lighting conditions (in-studio, natural light, hard/soft lights). Tamara will demonstrate technique in application, products for different skin types, and your expectations versus the client’s reality. Smart approaches to skin care and nutrition are also discussed. Participants should bring along their own on-camera makeup kit and come “camera-ready”. Each participant will receive individual attention so sign up early! Space is limited.
Tamara Tungate makeup artist/stylist
636-578-1874 Cell
Miss Lauren - a cutie pie
Redline Rocks!
Makeup for the Camera
MAKEUP FOR CAMERA
Makeup Skills for On-Camera Pros
For: Professional on-camera talent; actors, models, spokespersons
When: Thursday Dec 2nd at 7pm
Where: Limelight Studio St. Charles
Fee: $40 cash or check
Must sign up via email or phone: Tamara@LTphoto.us or 636-578-1874
Directions: www.limelightstudio.us
What does it mean to come “camera-ready”? Are there good vs.bad makeup products for the camera? Does your everyday makeup work for on-camera? How did digital or High-def change the industry’s makeup application? Professional makeup artist and veteran on-camera talent Tamara Tungate reviews the variety of makeup applications usually needed for professional talent and the best makeup approaches for different media (camera, video/film, live performance) and lighting conditions (in-studio, natural light, hard/soft lights). Tamara will demonstrate technique in application, products for different skin types, and your expectations versus the client’s reality. Smart approaches to skin care and nutrition are also discussed. Participants should bring along their own on-camera makeup kit and come “camera-ready”. Each participant will receive individual attention so sign up early! Space is limited.
Tamara Tungate
makeup artist/stylist
636-578-1874 Cell
Study in contour
This is a classic example of working with nothing but skin tones, browns and blacks. As always, eyebrows present the eyes and a neutral lip makes the look clean and almost naked looking. Lots of highlighter under the eyes,deep brown contouring in the cheek and along the nose and brown/black shading on the eyes.
Heavy liner all around the eyes works to give her the intense smoldering eyes that pop. This is not a technique for every face. Smaller, close set eyes would not always look good with this type of application. Most importantly, a waterproof smudge liner is a must with this amount of pigment. It will move and get drippy if not waterproof.
Color is fun and magical. This isn’t a look for the public but a fun creative piece for my book.
